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Many school districts share resources and materials to recognize and celebrate the contributions, culture, and history of various ethnic/religious groups for identity-based heritage months throughout the school year. CAMERA has reviewed a collection of materials and resources recommended in K-12 school districts for MuslimAmerican Heritage Month in January
The Committee for Accuracy in Middle East Reporting and Analysis (CAMERA) has released a comprehensive report documenting the hostile environment for Jewish students and teachers in the School District of Philadelphia (SDP).
Rethinking Schools’ Don’t Stop Teaching About Gaza presents itself as an instructional guide for educators, but its pages reveal something troubling – a politicized call to teachers to substitute activism for accuracy and advocacy for education.
It was time for Yachatz — the part of the Passover seder where we break the middle matzah as a reminder that not everyone is free, that freedom is not yet whole. We spoke aloud about the people of Palestine, who are not yet free, and how this communal act could be both a reminder and a call to stand up and fight.
Teach Palestine’s latest resource for educators, Understanding Palestine, is politically biased and distorts history to delegitimize Israel and Jewish selfdetermination. It falsely portrays Palestinians as perpetual victims and Israel as a colonial oppressor while omitting historical and legal context.
The Zinn Education Project bills itself as a grassroots initiative promoting a more “inclusive” approach to history. However, CAMERA Education Institute’s scrutiny of sections of the curriculum exposes a pattern of radical indoctrination targeting K-12 students.

Hostage

2025

by Eli Sharabi

Eli Sharabi’s memoir not only offers readers a firsthand account of Hamas terrorists’ deplorable treatment of Israeli hostages in captivity, but also paints an inspiring portrait of a man seeking to maintain a hopeful attitude while supporting other hostages in captivity.

Genocide Bad

2025

by Sim Kern
Genocide Bad. by Internet activist and aspiring book influencer Sim Kern purports to educate readers in Jewish and Palestinian history. It is part memoir, part issues–driven, and all filtered through the author’s extreme anti-Israel, anti-Western ideology.

A Kids Book About Israel & Palestine

2025

by Reza Aslan
This attempt to explain the Middle East conflict to young readers in simple terms omits critical events in the region’s complex history and distorts the past.

A Map for Falasteen

2024

by Mayse Odeh, illustrated by Aliaa Betawi
A Map for Falasteen is a simplistic, propagandistic book, whose bright colors and cultural touchstones serve a one-sided, factually inaccurate narrative. It is a shiny but deceptive product, unsuitable for children or adults.

Things That Shimmer

2024

by Deborah Lakritz

 

Edited in collaboration with psychologists, Ben-Ari’s anthology offers 71 stories of heroism, tastefully illustrated in muted tones, in keeping with the editors’ non-sensationalist approach.

The Ten Big Anti-Israel Lies

2024

by Alan Dershowitz

Alan Dershowitz’s slim volume is packed with many facts from which students who genuinely want to learn more about Israel and the current situation facing the country will benefit.

Genocide Bad

2025

by Sim Kern
Genocide Bad. by Internet activist and aspiring book influencer Sim Kern purports to educate readers in Jewish and Palestinian history. It is part memoir, part issues–driven, and all filtered through the author’s extreme anti-Israel, anti-Western ideology.

A Kids Book About Israel & Palestine

2025

by Reza Aslan
This attempt to explain the Middle East conflict to young readers in simple terms omits critical events in the region’s complex history and distorts the past.

A Map for Falasteen

2024

by Mayse Odeh, illustrated by Aliaa Betawi
A Map for Falasteen is a simplistic, propagandistic book, whose bright colors and cultural touchstones serve a one-sided, factually inaccurate narrative. It is a shiny but deceptive product, unsuitable for children or adults.

We Are Palestinian

2023

by Reem Kassis, illustrated by Noha Eilouti
Introducing children to Palestinian culture by presenting the people’s food, crafts and customs is a time-honored way to broaden the knowledge of young readers. But erasing a people’s history, as We Are Palestinian does to Jews, is promoting a lie, and has no place in any children’s book.

These Olive Trees

2023

by Aya Ghanameh, illustrated by Aya Ghanameh
A picture book on Palestinian exile that erases the word “Israel” and falsifies history can have only one goal: to prejudice young readers against Israel and Jews.

Old Enough to Know

2023

by Alice Rothchild
Good books for middle grade readers should entertain with gripping stories and interesting characters. They shouldn’t manipulate characters and plot to force-feed historical distortions down the throats of vulnerable young readers. That’s propaganda, not literature.

Uri is bored hanging around his parents’ delicatessen in 1930s Tel-Aviv until his German-speaking Grandma takes him on a walk and introduces him to the famous classical musician, Mr. Huberman, a friend she knew back in Europe. A Concert in the Sand tells the story of the first performance of what was to become Israel’s Philharmonic Orchestra.

Whenever the author-illustrator runs in a field, climbs a hill, or swims in the sea in Israel, she looks for something small to hold in her hand. She finds a basalt pebble from the ice-cold Dan River, formed from lava over 100,000 years ago. Israel’s national bird, the hoopoe, leaves a feather in the grass at HaYarkon Park. Dead hood coral grows in the Red Sea, where fish play hide-and-seek. She holds small things in her hand and then leaves them in their habitats . . . for the reader to find.

The life story of Hadassah founder Henrietta Szold’s upbringing in Baltimore and her social justice work to help Jewish immigrants assimilate into American society and later, when Hitler came to power, to save Jewish children by organizing their transfer to pre-Israel Palestine.

A Sweet Meeting on Mimouna Night tells the story of a young Jewish girl in Morocco who is helping her mother gather flour from her Muslim neighbors to make special pancakes that are only eaten on the last day of Passover as they celebrate the Jewish-Moroccan holiday Mimouna.

ABC Israel, introduces readers to Israel’s people, food, languages, and more with colorful pictures, while also teaching the alphabet.

Aleph- Bet Israel introduces young readers to the Hebrew alphabet and popular sites around Israel using whimsical illustrations.

The author, Barbara Sofer, has written an engaging and informative short book that weaves the fictional story of four friends who represent the various backgrounds of many young Israelis who are about to join the army and the decision-making process for deciding which unit they will serve.

Twelve-year-old Shai, struggling with moving from Israel to America, seeks a way back home through family visits and a drawing competition. Facing challenges in a new school and encountering antisemitism, she finds unexpected support.

A coming-of-age novel about a Jewish-Canadian girl named Lesley whose family decides to leave their comfortable life behind to make aliyah to a kibbutz right before the Six-Day War. The story discusses issues to which many readers growing up Jewish in the Diaspora can relate, including assimilation and intermarriage.

Standing Together tells the true story of Natan Sharansky, the famous Jewish Soviet dissident and Refusenik who spent nine years in Soviet prison before becoming an Israeli politician, human rights activist, and author. From his earliest memories in kindergarten, through his discovery of his Jewish identity, to his rebellion against the repressive Soviet society in which he lived, and everything that came after, the book .

The life of aspiring writer, 15-year-old Bat-Chen, was cut short when she was murdered in a suicide bombing in Tel-Aviv in 1996. Bat-Chen’s family and friends submitted letters, journal entries, pictures, and notes in order for readers to see the observations of this mature and eloquent Israeli teenager.

Set in post-WWII and up to the 1948 War of Independence, The Boy From Over There tells the story of a young, orphaned Jewish boy who lived in hiding during the Holocaust and was then brought to Israel, where he joins a group of kibbutz children.

This is the dramatic story of the rescue of Jews from Europe after World War II by North American Jewish volunteers who smashed through the British blockade and brought thousands of refugees to safe haven in Palestine through the illegal Aliyah Bet. The book documents the story told in Leon Uris’ Exodus, and is the basis for a documentary entitled Waves of Freedom.

Yehuda Avner’s enthralling political memoir takes readers behind the scenes into the chambers of Prime Ministers Levi Eshkol, Golda Meir, Yitzchak Rabin, and Menachem Begin, where he served as political adviser and speechwriter. His intimate descriptions of life-and-death decision-making, top-secret military operations and high level peace negotiations captivate the reader. It is the first and only insider account of Israeli politics beginning from the founding of the Jewish State.

Two prominent Israelis argue that for the conflict between Israel and the Palestinians to end with peace, Palestinians must come to terms with the fact that there will be no “right of return.” The authors—liberal Israelis supportive of a two-state solution—reveal the origins of the idea of a right of return, and explain how UNRWA—the very agency charged with finding a solution for the refugees—gave in to Palestinian, Arab and international political pressure to create a permanent “refugee” problem.

Historian and political analyst Martin Kramer presents a series of case studies, based on pathfinding research or provocative analysis, that correct misinformation clouding the public’s understanding of the Middle East. He also offers a forensic exploration of how misinformation arises and becomes “fact.” Divided into five themes, Kramer shows how error permeates the debate over each theme, creating distorted images that cause policy failures.

Winner of the Jewish Book Awards, this book shares the struggles and strength of three young girls growing up in post-Holocaust Israel as they learn to lean on each other while processing the loss and pain of all they have endured. Under the Domim Tree was written by Israeli film actress, Gila Almagor, who drew upon her childhood experiences to create a coming-of-age story centered around orphaned teenagers growing up in an Israeli agricultural youth village.

Checkpoint

2003

Hebrew title: Machsomim
Directed by: Yoav Shamir
Produced by: Amit Breuer
Hebrew / Arabic / English; English subtitles
80 minutes

The film presents a one-sided depiction of the inconveniences to Palestinians caused by Israeli checkpoints.

Encounter Point

2006

Directed by Ronit Avni and Julia Bacha
Just Vision Films
Arabic, English, Hebrew
85 minutes

The documentary follows the stories of a South African-Israeli mother, a former settler, a former Palestinian protestor, an Israeli father, a Palestinian Christian father and a Palestinian ex-prisoner, all of whom are dealing with the loss of a loved one due to the conflict.

Five Broken Cameras

2011

Distributed by Kino Lorber
Produced and Directed by Emad Burnat and Guy Davidi
Hebrew/Arabic; English subtitles
90 minutes

This heavily edited, agenda-driven film purports to document the daily lives of the Palestinian film-maker and his fellow villagers and their activism against the Israeli security fence and settlements. 5 Broken Cameras is Palestinian film-maker Emad Burnat’s diary of his fellow villagers’ protest response to Israel’s security fence and to Jewish settlements on what he considers his land. Hailed as an artistic success, the film won an award at the prestigious Sundance Festival.

I Am From Palestine

2023

Directed by: Iman Zawahry
Produced by: Rifk Ebeid
English
~6 minutes

A frequent feature of anti-Israel activism is erasing the State of Israel from the map and replacing it with Palestine. One insidious example of this comes in the short video “I am from Palestine.”

Impact of Terror (2004)

2005

Directed by Tim Wolochatiuk
Associated Producers
52 minutes, English

This moving documentary about the Israeli victims of the 2001 suicide bombing at the Sbarro pizerria follows terror victims in the years after the bombing, documenting both the immediate and the ripple effects of the violence on their subsequent lives.

Israelism

2023

Directed by: Erin Axelman and Sam Eilertsen
Produced by: Daniel J. Chalfen, Nadia Saah, and Erin Axelman
English, Arabic with English subtitles
124 minutes

Israelism is a lurid example of an increasingly popular genre of filmmaking that purports to be a documentary exposing human rights abuses but is really disguised political propaganda.

Long Way Home

1997

Directed by Mark Jonathan Harris
Narrated by Morgan Freeman
English, B&W, Color
120 min

At a time when Israel’s legitimacy is increasingly challenged and overt anti-Semitism again menaces Jews, the Academy Award winning documentary, “The Long Way Home,” provides a powerful reminder of the heroic effort to re-establish the Jewish homeland in the wake of the European Holocaust.

Mission: Hebron

2020

Written and Directed by Rona Segal;
Produced by Idit Klinger, Kobi Mizrahi;
Distributed by New York Times Op-Doc;
Hebrew, English with English subtitles;
22 minutes

The film purports to show reluctant soldier whistleblowers divulging tales of Israeli military and settler brutality but in fact it is just more slanderous propaganda from the anti-Israel activist group, Breaking the Silence.

Occupation 101

2007

Written, Directed, and Produced by Sufyan Omeish and Abdallah Omeish
Arabic, English with English subtitles
90 minutes

Occupation 101 falsely equates the Palestinian cause with civil rights struggles around the world, featuring well rehearsed indictments of the Jewish state by a who’s who of anti-Israel activists. It would have more aptly been titled Propaganda 101.

One Day in September

1999

Directed by Kevin Macdonald
Narrated by Michael Douglas
English, German, B&W, Color
94 min

While Steven Spielberg’s 2005 film, “Munich,” blurs the line between historical fiction and real events to tell the story of an Israeli hit team’s hunt for those involved in the 1972 Olympic massacre of Israeli athletes, this Academy Award-winning film focuses on the massacre itself through live film clips, news broadcasts and interviews with police, close relatives of victims, and the sole surviving perpetrator.

Promises

2001

Produced, Written and Directed by BZ Goldberg, Justine Shapiro; English, Arabic, Hebrew with English subtitles;
106 minutes

See our filmed review  of a dated documentary that is still being used as part of the curriculum in some American public middle schools. The film examines the Arab-Israeli conflict through the eyes of seven children living in the Jerusalem vicinity, from both sides of the conflict. While the protagonists are appealing, the take-away message of the film, based on misleading context and a lack of essential background information, is one-sided and politicized.

The Forgotten Refugees

2005

Directed by Michael Grynszpan
Produced by The David Project and IsraTV
49 minutes, English

The film explores the history and destruction of Middle Eastern Jewish communities, some of which had existed for over 2,500 years.Featuring testimony from Jews who fled Egypt, Libya, Iraq, Yemen, Morocco and Iran, the film explores the rich heritage and destruction of the Middle East’s age-old Jewish communities. Personal stories of refugees are interspersed with dramatic archival footage, including the mission to rescue Yemenite Jews.

The Stones Cry Out

2013

Produced and Distributed by Yasmine Perni English 56 minutes

Yasmine Perni’s 2013 movie “The Stones Cry Out” allows influential and seasoned pro-Palestinian activists to present an emotionally charged, one-sided story of Palestinian Christians devoid of historical context and facts.

CAMERA Education Presents: Israel in a Diverse Region

CAMERA Presents: The Arab-Israeli Conflict

CAMERA Education Presents: The Return of Jewish Sovereignty in the Land of Israel

CAMERA Education Presents: Zionism and the Movement for Jewish Self-Determination

The CAMERA Education Institute Presents: The Origins of the Jewish People In the Land of Israel

2019: Trump peace proposal

2000 Camp David Proposal

1990’s Israel and the PA

1980’s Israel’s Northern Border

1979 Post Peace Treaty With Egypt

1967 Post Six Day War

The History of the Jewish People in the Land of Israel

What do we know about the ancient Israelites? When did the ancient Israelites become the Jews? How did the emergence of other religions and the movement of peoples across the Middle East into the Land of Israel affect the Jewish people? How did Jews maintain their connection to the Land of Israel in the diaspora? How did World War I, World War II, and the Cold War impact the history of Israel? How did the modern state of Israel form? Why has there been ongoing conflict between Israel and the Arabs?

To answer these questions CEI offers educators a teacher-friendly curriculum tracing the history of the Jewish people in the land of Israel from ancient to modern times. This state social studies-aligned curriculum situates Jewish history in the larger context of Middle Eastern and World History. Students learn how geography and the development of religious, cultural, and political movements from ancient to modern times have created a complex society. Lesson plans utilize a wide- range of primary sources, maps, and videos.

The curriculum includes the following high school lessons:

  • The Historical Roots of Israel in Ancient History
  • Medieval Jewish Life and the Land of Israel
  • Zionism: The Movement for Jewish Self-Determination
  • The Reestablishment of Jewish Sovereignty in the Land of Israel
  • The Arab-Israeli Conflict During the Cold War
  • The Israeli-Palestinian Conflict

The curriculum also includes the following elementary school activity: Understanding Timelines and Change Over Time.

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